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Leah Garnett: When One Space Meets Another

Ongoing

15 September 2017 - 25 October 2017

Details

Start:
15 September 2017
End:
25 October 2017

Works by

Leah Garnett

Curated by

Pan Wendt
An installation fills a gallery. In the foreground a small forest of wooden trees sit on top of a sheet of pale wood on a construction table with yellow legs. Behind it, an unfinished wall of wooden beams stands from floor to ceiling. Large drawings of trees and abstract shapes rendered in graphite and bright coloured ink on paper complete the wall. Bright pink strips of tape run in parallel horizontal lines throughout the installation, connecting sculptures.

Leah Garnett: When One Space Meets Another

About this exhibition

This installation by Sackville artist Leah Garnett draws upon her childhood experiences growing up around construction sites and the woods of rural Maine.

Describing this work Leah Garnett writes: My father builds custom homes, so I grew up on construction sites, and later I worked on them. This foundational experience shaped how I think about space: how we construct, mold, and contain it. It also influenced how I make things. My 3D vocabulary stems from an early immersion in construction, that while far from masterful, is the language that I brought to making art. When One Space Meets Another is a return to my roots in construction, filtered through my sculpture, installation, and drawing practices. Specifically, When One Space Meets Another provided me with an opportunity to range over questions about construction sites. What is the relationship between landscape and architecture where the temporary and transitional construction site becomes a hybrid of the two? As a temporary and nomadic site of labor, how does a construction site compare to a studio, particularly the temporary studio occupations of artist residencies? And finally, what are the results and implications of transposing multiple spaces and landscapes into a single location?

Co-organized by the Confederation Centre Art Gallery and the Owens Art Gallery.

Publication

Foreword by Gemey Kelly
Curator’s note by Pan Wendt
Essay by Rebecca Duclos

Design by Robert Tombs
Published by Owens Art Gallery

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