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Gordon Monahan/Seeing Sound: Sound Art, Performance and Music, 1978-2011

Ongoing

29 October 2011 - 11 December 2011

Details

Start:
29 October 2011
End:
11 December 2011

Works by

Gordon Monahan
In a darkened gallery space, an adult looks up high on the wall to strings which are connected to a standing piano.

Gordon Monahan/Seeing Sound: Sound Art, Performance and Music, 1978-2011

About this exhibition

Gordon Monahan’s works for piano, loudspeakers, video, kinetic sculpture and computer-controlled sound environments hybridize various genres from science, music, performance art and avant-garde concert music to multimedia installation and sound art. As a composer and sound artist, he juxtaposes the quantitative and qualitative aspects of natural acoustical phenomena with elements of media technology, environment, architecture, popular culture and live performance.

Organized by the Robert McLaughlin Gallery in partnership with the Doris McCarthy Gallery, Blackwood Gallery, Thames Art Gallery, Owens Art Gallery, Kenderdine Art Gallery, Tom Thomson Art Gallery and singuhr − hoergalerie berlin

About the Artist

Musician and multimedia artist Gordon Monahan has created works ranging from piano compositions to sound installations. Since 1978, he has performed and exhibited at numerous performance spaces, museums, galleries, and festivals, including Hamburger Bahnhof (Berlin), the Venice Biennale, the Secession (Vienna), Haus der Kunst (Munich), Mak Museum (Vienna), The Kitchen (NY), the Walker Art Center (Minneapolis), Merkin Hall (NY) and Massey Hall (Toronto). Monahan began his career as a pianist, but in the late 1970s began creating multimedia installations and constructing sound sculptures, often using natural forces in his work. Monahan has been Artist-in-Residence at the Banff Centre for the Arts (1990), the Exploratorium in San Francisco (1991), D.A.A.D., Berlin (1992-93), the Western Front, Vancouver (1999), Podewil, Berlin (2002), Kunsthalle Krems, Austria (2006), Museumsquartier, Vienna (2008), and a fellow with the New York Foundation for the Arts (1991). From 2000 -2004, he also led the Berlin-based group Fuzzy Love, performing on electric organ.

Publication

Foreword by Carsten Seiffarth and Linda Jansma
Transcribed conversation between Matthias Osterwold and Gordon Monahan
Essays by Earl Miller, Gabriele Knapstein and Claudia Wahjudi

All texts are printed in English, French and German

Design by Robert Tombs
Produced by The Robert McLaughlin Gallery in partnership with Doris McCarthy Gallery, Blackwood Gallery, Thames Art Gallery, Owens Art Gallery, Kenderdine Art Gallery, Singuhr and Tom Thomson Gallery