This publication coincides with the exhibition Norman White held at the Owens Art Gallery from 10 to 31 March 1976.

The work of Norman White seeks to humanize scientific hardware through his sculptures, demonstrating that technology can be manipulated to become works of art.

This publication includes an introduction by Luke Rombout and an essay by Norman White.

Co-published by The Vancouver Art Gallery, Owens Art Gallery, and National Gallery of Canada.