This publication coincides with the exhibition David Milne: Eliminating Sentiment held at the Owens Art Gallery from 7 March to 13 April 1997.
The pieces in this exhibition, from public and private collections in the Atlantic region, span the most productive period of Canadian artist David Milne’s career – 1920 to 1952.
Foreword by Gemey Kelly
Essay by Julian Forrest
Design and Layout by Julian Forrest